{"id":1982,"date":"2010-02-08T21:31:14","date_gmt":"2010-02-08T20:31:14","guid":{"rendered":"http:\/\/www.apuntesdelengua.com\/blog\/?page_id=1982"},"modified":"2011-01-22T01:07:22","modified_gmt":"2011-01-22T00:07:22","slug":"recursos-fonologicos","status":"publish","type":"page","link":"http:\/\/www.apuntesdelengua.com\/blog\/cursos\/2%c2%ba-eso\/literatura\/figuras-literarias\/recursos-fonologicos\/","title":{"rendered":"Recursos fonol\u00f3gicos"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" align=\"absmiddle\" alt=\"\" height=\"40\" src=\"http:\/\/www.fotosearch.com\/bthumb\/CSP\/CSP148\/k1486832.jpg\" width=\"40\" \/><span style=\"color: rgb(0, 128, 0);\"><strong><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: x-large;\">Definici&oacute;n:<\/span><span style=\"font-size: medium;\"> <\/span><\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\">Son aquellos que se basan en la repetici&oacute;n de sonidos o en los efectos de la entonaci&oacute;n. <\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\"><strong><span style=\"color: rgb(0, 128, 0);\">Aliteraci&oacute;n<\/span><\/strong>: Repetici&oacute;n notoria de uno o varios sonidos en una palabra o, m&aacute;s com&uacute;nmente, en una oraci&oacute;n. <\/span><\/span><\/p>\n<p style=\"text-align: justify; padding-left: 60px;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\"><em>Con testa ga<span style=\"color: rgb(255, 0, 0);\"><strong>ch<\/strong><\/span><\/em><em>a toda <span style=\"color: rgb(255, 0, 0);\"><strong>ch<\/strong><\/span><\/em><em>arla escu<span style=\"color: rgb(255, 0, 0);\"><strong>ch<\/strong><\/span><\/em><em>o;<\/em> <em>dejo la <span style=\"color: rgb(255, 0, 0);\"><strong>ch<\/strong><\/span><\/em><em>anza y sigo mi prove<span style=\"color: rgb(255, 0, 0);\"><strong>ch<\/strong><\/span><\/em><em>o&hellip;<\/em> (Francisco de Quevedo)<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\"><strong><span style=\"color: rgb(0, 128, 0);\">Calambur<\/span><\/strong>: Formaci&oacute;n de palabras a partir de otras palabras con el mismo o muy parecido valor fon&eacute;tico. <\/span><\/span><\/p>\n<p style=\"text-align: justify; padding-left: 60px;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\"><em>Y tah&uacute;res muy desnudos<\/em> <span style=\"color: rgb(255, 0, 0);\"><strong><em>con dados<\/em><\/strong><\/span><em> ganan <span style=\"color: rgb(255, 0, 0);\"><strong>condados<\/strong><\/span><\/em><em>. <\/em> (Luis de G&oacute;ngora) <em>Si el <span style=\"color: rgb(255, 0, 0);\"><strong>Rey no<\/strong><\/span><\/em><em> muere,<\/em> <em>el <strong><span style=\"color: rgb(255, 0, 0);\">Reino<\/span> <\/strong><\/em><em>muere.<\/em> (A. de Ledesma)<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\"><strong><span style=\"color: rgb(0, 128, 0);\">Onomatopeya<\/span><\/strong>:&nbsp; Repetici&oacute;n de sonidos en una palabra o en una oraci&oacute;n, evocando las cosas que significan. <\/span><\/span><\/p>\n<p style=\"text-align: justify; padding-left: 60px;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\"><em>Con e<span style=\"color: rgb(255, 0, 0);\"><strong>l<\/strong><\/span><\/em><em> a<span style=\"color: rgb(255, 0, 0);\"><strong>l<\/strong><\/span><\/em><em>a a<span style=\"color: rgb(255, 0, 0);\"><strong>l<\/strong><\/span><\/em><em>eve de<span style=\"color: rgb(255, 0, 0);\"><strong>l<\/strong><\/span><\/em><span style=\"color: rgb(255, 0, 0);\"><em> <strong>l<\/strong><\/em><\/span><em>eve abanico. <\/em>(Rub&eacute;n Dar&iacute;o)<\/span><\/span><\/p>\n<p style=\"padding-left: 60px;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\"><em>En el <span style=\"color: rgb(255, 0, 0);\"><strong>s<\/strong><\/span><\/em><em>ilencio <span style=\"color: rgb(255, 0, 0);\"><strong>s<\/strong><\/span><\/em><em>&oacute;lo <span style=\"color: rgb(255, 0, 0);\"><strong>s<\/strong><\/span><\/em><em>e e<span style=\"color: rgb(255, 0, 0);\"><strong>s<\/strong><\/span><\/em><em>cuchaba<\/em> <em>un <span style=\"color: rgb(255, 0, 0);\"><strong>s<\/strong><\/span><\/em><em>u<span style=\"color: rgb(255, 0, 0);\"><strong>s<\/strong><\/span><\/em><em>urro de abeja<span style=\"color: rgb(255, 0, 0);\"><strong>s<\/strong><\/span><\/em><em> que <span style=\"color: rgb(255, 0, 0);\"><strong>s<\/strong><\/span><\/em><em>onaba.<\/em> <span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\">(Garcilaso de la Vega)<\/span><\/span><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\"><strong><span style=\"color: rgb(0, 128, 0);\">Paronomasia<\/span><\/strong>: Leve modificaci&oacute;n fon&eacute;tica de una palabra, originando un cambio en el significado. Tambi&eacute;n se considera paronomasia la situaci&oacute;n cercana de palabras de parecido sonido, pero de distinto significado. <\/span><\/span><\/p>\n<p style=\"text-align: justify; padding-left: 60px;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\"><span style=\"color: rgb(255, 0, 0);\"><strong><em>Cer&aacute;<\/em><\/strong><\/span><em>mica no es de <span style=\"color: rgb(255, 0, 0);\"><strong>cera<\/strong><\/span><\/em><em>, <\/em> <em>porce<span style=\"color: rgb(255, 0, 0);\"><strong>lana<\/strong><\/span><\/em><em> no es de <span style=\"color: rgb(255, 0, 0);\"><strong>lana<\/strong><\/span><\/em><em>.<\/em> (Carlos Edmundo de Ory) <\/span><\/span><\/p>\n<p style=\"text-align: justify; padding-left: 60px;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\"><em>Estrellas que me alumbr&aacute;is<\/em> <em>dadme en este enga&ntilde;o <span style=\"color: rgb(255, 0, 0);\"><strong>suerte<\/strong><\/span><\/em> <em>si el galard&oacute;n en la <span style=\"color: rgb(255, 0, 0);\"><strong>muerte<\/strong><\/span><\/em> <em>tan largo me lo guard&aacute;is.<\/em> (Tirso de Molina)<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\"><strong><span style=\"color: rgb(0, 128, 0);\">Rima<\/span><\/strong>: Repetici&oacute;n de ciertos sonidos a partir de la &uacute;ltima vocal t&oacute;nica del verso o del per&iacute;odo. Puede ser asonante o consonante. Normalmente se ve cuando se estudia la M&eacute;trica.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'Century Gothic';\"><span style=\"font-size: medium;\">Otros fen&oacute;menos relacionados con las desviaciones de nivel f&oacute;nico son las eufon&iacute;as o cacofon&iacute;as, las rimas internas, determinados efectos de intensidad relacionados con la acentuaci&oacute;n, &hellip;<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Definici&oacute;n: Son aquellos que se basan en la repetici&oacute;n de sonidos o en los efectos de la entonaci&oacute;n. Aliteraci&oacute;n: Repetici&oacute;n notoria de uno o varios sonidos en una palabra o, m&aacute;s com&uacute;nmente, en una oraci&oacute;n. Con testa gacha toda charla escucho; dejo la chanza y sigo mi provecho&hellip; (Francisco de Quevedo) Calambur: Formaci&oacute;n de palabras<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1964,"menu_order":1,"comment_status":"open","ping_status":"open","template":"onecolumn-page.php","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.apuntesdelengua.com\/blog\/wp-json\/wp\/v2\/pages\/1982"}],"collection":[{"href":"http:\/\/www.apuntesdelengua.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.apuntesdelengua.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.apuntesdelengua.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.apuntesdelengua.com\/blog\/wp-json\/wp\/v2\/comments?post=1982"}],"version-history":[{"count":12,"href":"http:\/\/www.apuntesdelengua.com\/blog\/wp-json\/wp\/v2\/pages\/1982\/revisions"}],"predecessor-version":[{"id":1989,"href":"http:\/\/www.apuntesdelengua.com\/blog\/wp-json\/wp\/v2\/pages\/1982\/revisions\/1989"}],"up":[{"embeddable":true,"href":"http:\/\/www.apuntesdelengua.com\/blog\/wp-json\/wp\/v2\/pages\/1964"}],"wp:attachment":[{"href":"http:\/\/www.apuntesdelengua.com\/blog\/wp-json\/wp\/v2\/media?parent=1982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}